备注：已完结
类型：喜剧片
主演：安德利娅·安德斯 马特·帕斯摩尔 克萝丽丝·利奇曼 凯瑟琳·麦克纳马拉
导演：马特·库珀
语言：英语
年代：未知
简介：If there's one thing that the men of Rockford Texas love as much as their women, it's their guns. But when a gun incident at a neighborhood school spurs one stay at home mom, Jenna (Andrea Anders), to rethink Rockford's obsessive gun culture, life in this idyllic town is turned upside-down. Much to the chagrin of her husband, (Matt Passmore), Jenna ignites a movement by recruiting the women to withhold sex from the men until every gun in Rockford is vanquished. A wild and hilarious showdown ensues between the sexes. As tensions and libidos rise, the men and women of Rockford must decide what's really important keeping the peace or getting a piece.
备注：已完结
类型：剧情片
主演：伊丽莎白·奥尔森 奥斯卡·伊萨克 汤姆·费尔顿 杰西卡·兰格 雪莉·亨
导演：查理·斯垂顿
语言：英语
年代：未知
简介：和大部分年龄相似的姑娘一样，特蕾莎（伊丽莎白·奥尔森 Elizabeth Olsen 饰）对爱情充满了渴望，希望能够遇到独一无二属于自己的那个人。然而现实是残酷的，在姨妈兰坤（杰西卡·兰格 Jessica Lange 饰）的强势介入之下，特蕾莎不得不和自己根本不喜欢的堂兄卡米尔（汤姆·费尔顿 Tom Felton 饰）步入婚姻的殿堂。 特蕾莎的婚后生活充满了痛苦，直到有一天她遇见了卡米尔的好友劳伦特（奥斯卡·伊萨克 Oscar Isaac 饰），这段不论的恋情让特蕾莎重新燃起了生活的热情。最终，特蕾莎和劳伦特联手，杀死了卡米尔，霸占了他的财产，本以为就此可以高枕无忧享受安稳生活的两人，却遭到了卡米尔鬼魂的骚扰。
备注：已完结
类型：伦理片
语言：
年代：未知
简介：美国男孩斯考迪（斯科特·麦克洛维茨 Scott Mechlowicz 饰）在德国网友米克（杰茜卡博尔丝 Jessica Bohrs 饰）的帮助下，德语成绩大有进步，学习飞越然后高中毕业的他却迎来了被女朋友甩的倒霉事，沦为朋友库柏（雅克布彼茨 Jacob Pitts 饰）的笑柄。斯考迪接到米克寄来的电邮，信中希望能和他见见面，看看这个通了几年信的朋友。然而，斯考迪却有点犹豫，米克这个名字，貌似是一个男孩子。于是，他拒绝了这个请求。还是别人提醒了斯考迪，在德国，米克是个女生名字。斯考迪如梦初醒，决定要亲自前往欧洲去寻找米克。于是，斯考迪和库柏上路了，还在中途遇到了几个同行的年轻人。一帮不谙世事的年轻人可不是一路顺风，哭笑不得的事情屡屡发生，不过功夫不负有心人，当斯考迪找到米克的时候，他被面前这个金发火辣的美女摄走了魂！疯狂的度假正式开始。
备注：已完结
类型：欧美剧
主演：马修·瑞斯 朱丽叶·赖伦斯 克里斯·乔克 西恩·奥斯汀
导演：费尔南多·科英布拉 尼娜·洛佩兹-克拉多 Jessica Lowrey 马里亚·利瓦斯
语言：英语
年代：未知
简介：《梅森探案集》第二季由《尼克病院》主创Jack Amiel和Michael Begler担任新的剧集运作人和编剧。 故事发生在Dodson审判数月后，Perry (Matthew Rhys饰) 搬离了农场，抛弃了运奶卡车，他甚至用自己的皮夹克换了套笔挺的西装。这是大萧条时期最糟糕的一年，Perry和Della (Juliet Rylance饰) 让公司走上了一条更稳妥的道路，专注处理民事案件，而不是刑事案件所带来的混乱工作。不幸的是，Paul (Chris Chalk饰) 在遗嘱和合同方面没有太多的工作，所以他独自出去打拼了。洛杉矶市发生了一起容易侦破的案件，而Perry对正义的追求，表明并非所有事都像看上去的那样一目了然。
备注：已完结
类型：喜剧片
主演：安德林妮·夏莉 罗伯特·约翰·伯克 马特·马洛伊 凯莉·莱卡特
导演：霍尔·哈特利
语言：英语
年代：未知
简介：Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career. Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.) As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played. The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument). Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
